The Spewing Voodoo EP is a wild, grunge-fueled ride that grabs you with its raw intensity, chainsaw guitars, and bluesy undercurrents. Fronted by seasoned musician Taranto, whose vocal delivery oscillates between a haunting lament and a raspy, defiant howl, the four-track EP takes listeners on an emotional and sonic journey through the darker, more introspective corners of rock music.

Opening with "Hang Me Out", the EP immediately sets a tone of rebellious angst. Taranto’s melancholic vocals are layered over jagged, slashing guitars, creating chaos and emotional tension. The track’s lyrics reflect a deep self-exploration, as Taranto admits, "You discover things about yourself when you’re writing." This vulnerability, coupled with the relentless energy of the guitars, makes for a compelling start, capturing the listener’s attention with its mix of grit and raw emotion.

In the Wild, the second track, leans into a woozy blues vibe, offering moments that feel like a dizzying high, as though the listener is just beginning to come up on something heavy. The track’s slower, more hypnotic groove contrasts sharply with the jagged energy of the opener, giving it an eerie, psychedelic edge. The blend of grunge and blues here feels organic, drawing from the likes of early garage rock but with a unique twist that is distinctly Subterranean Deadbeats.

Not Good for You, the third song, showcases the EP’s most introspective side. Taranto’s vocals become almost elegiac, exploring themes of toxicity and self-reflection. The guitar work on this track, with its catchy hooks and abrasive edges, mirrors the emotional push-pull in the lyrics, making it one of the standout moments on the EP.

As Above So Below closes out Spewing Voodoo on a high note. This track distills the chaotic energy of the EP into a tight, visceral package. The powerful guitars make a strong comeback, while Taranto's slow voice sounds more intense and fierce. The song's name suggests the deep meaning of the words, exploring themes of duality and self-reflection, while the music intensifies.

In Spewing Voodoo, Taranto uses his extensive time in Melbourne's underground music scene to create something deeply personal and incredibly authentic.

The chainsaw guitar riffs, dark bluesy tones, and Taranto’s tortured vocals give each track a distinctive, gritty edge, making the EP feel like a cathartic release for both the artist and the listener.

Spewing Voodoo is a powerful and unrelenting EP that blends the best of grunge, blues, and rock into a visceral, emotional experience. Subterranean Deadbeats, led by Taranto, delivers a sound that is both aggressive and deeply reflective, proving that there is still much to explore in the darker realms of rock music. Each track tells a story, leaving listeners eager for more from this Melbourne-based band.

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